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戴定澄簡介

個人簡介
戴定澄，教授，作曲理論博士、博士生導師。主要研究領域為歐洲早期多聲音樂，2003年赴澳門工作後同時開始關注和研究澳門城市音樂。現爲澳門城市大學全職教授、音樂學博士課程負責人、澳門城市音樂文化研究中心負責人。兼任中國音樂家協會理事，國家藝術基金評審委員、上海音樂學院“國家中小學藝術教材研究基地”學術委員、華南師範大學博導、藝術學人才基地學術顧問，中央音樂學院、中國音樂學院、星海音樂學院等高校客席教授，粵港澳大灣區文化創意專家委員會委員，澳門管樂協會、澳門城市音樂研究學會、中央音樂學院澳門校友會等十數間音樂團體名譽會長。曾任英國紐卡素大學客席教授，香港浸會大學音樂學科海外學術咨詢委員，上海師範大學音樂學院首任院長，澳門理工大學教授，澳門政府文化諮詢委員，上海音樂家協會副主席，上海音樂家協會理論委員會主任，世界合唱聯盟理事，亞太民族音樂學會理事，中國高校理論作曲委員會副主任等職。

戴定澄出生於上海，幼時學習音樂，並於上海完成音樂學士學位（作曲主課導師：陳松齡副教授）及助教進修（師從陳銘志、林華、茅于潤、楊立青等教授）；後赴日本國立靜岡大學隨須貝 靜直（Shizunao Sugai）講座教授研修；再於上海音樂學院作曲系隨桑桐先生讀博（作曲系首位博士）。出版專著包括：《歐洲早期和聲的觀念與形態》（上海，2000、2001） ;《鍵盤和聲與即興彈奏》（安徽，1991、2001、2004）；《音樂表演在澳門》（澳門，2005）;《音樂教育在澳門》（澳門，2005）;《音樂創作在澳門》（澳門，2007）;《合唱經典》（北京，2008）;《20世紀澳門天主教音樂：獨特歷史背景下的作曲者與作品》（澳門，中文版2013 ;修訂版2015；英文版2015 ）; MUSICA CATOLICA EM MACAU NO SECULO XX （ Lisboa 2018）；《16世紀歐洲多聲部音樂研究》（台灣，2017）；《澳門城市音樂文化研究》（上海，2024）；《澳門管樂歷史追蹤》（香港2025）；《20世紀澳門民俗與儀式音樂研究》（香港2025）等;在中國兩岸四地、日本、歐美等地公開發表中、英、日、葡文論文百餘篇，其他學術文章百餘篇。音樂研究、音樂創作與教學獲獎數十項。因對音樂文化的學術貢獻，獲上海市長授予“回國留學先進人員”獎牌（1997）；澳門特區政府行政長官授予“文化功績勳章”（2013）。（詳情請參CV）

Dai Dingcheng, holder of PhD in Composition Theory, is a professor of Musicology and supervisor of PhD students of the City University of Macau. His research is based mainly on early European polyphony and contemporary music. Ever since his arrival in Macao in 2003, Dai is involved in projects related to urban musicology. He is a member of the Advisory Committee of Chinese Musicians' Association, member of Cultural Consultative Committee of the Macao SAR, committee member of Asia Pacific Society for Ethnomusicology, Deputy Director of National Higher Education Academic Committee on Music Theory and Composition, committee member of World Choir Council, guest fellow of the Central Conservatory, guest professor of China Conservatory of Music, guest professor of Xinghai Conservatory of Music and South China Normal University, Visiting Professor of Newcastle University, member of the Academic Consultation Panel of HKBU. He is also the advisor to the Macao Orchestra, consultant of Aptitude Requirement of Music for Primary and Secondary Schools’ developed by the Education and Youth Affairs Bureau, honorary chairperson, president and artistic director of various societies in Macao, such as Macao Cheong Hong Music Club, Macao Taoist Orchestra Association, Macao Band Directors Association, iMacao Music Association, World Southern Music Friendship Association and Alumni Association (Macao) of The Central Conservatory of Music. Dai had been the Dean of the Music College of Shanghai Normal University, Visiting Professor of Newcastle University in the United Kingdom, Vice President of Shanghai Musicians Association, and Director of School of Arts of Macao Polytechnic Institute .

DAI was born in Shanghai and received his early music training and studied the Bachelor of Music degree in Shanghai. He then pursued his postgraduate degree at Shizuoka National University in Japan. Afterwards, he went back to Shanghai and continued his PhD study under the instruction of Professor Sang Tong in the Department of Composition of SCM. He frequently visited various countries to do research and gave lectures. Dai has published dozens of essays in Chinese, English and Japanese in Asia, Europe and the US. Dai’s monographs include Concepts and Forms of Early European Harmony (Shanghai Music Publishing House [SMPH], 2001), Keyboard Harmony and Improvisation (Anhui Literature and Art Publishing House, 1992), Catholic Music in Macao in the Twentieth Century -- Music Writers and their Works in a Unique Historical Context (the Chinese version was published in 2013, and the English version was published in 2015 by the Cultural Affairs Bureau of the Macao SAR Government; the Portuguese version was published by Edições Colibri, Lisbon, Portugal, in 2018), Research on the European Polyphonic Music in the Sixteenth Century (EHGBBooks, 2017), Music Education in Macao (Macao Daily Press [MDP], 2005), Music Performance in Macao (MDP, 2005), Music Compositions in Macao (MDP, 2007). Besides, Dai has compiled Choral Classics – Renaissance Choral Works (People’s Music Publishing House, 2008), Selection of Early European Choral Works (SMPH, 2001), CD collection Remote Echo (SMPH, 2000).